#Saxophone music hindi movie

РІР‚СљThe most famous sax player was Ram Singh, and after he died, people simply stopped using the alto sax,' Lord says. When he arrived in Bombay, in the late 1950s, the Hindi film world was uniquely prepared for him.

At the outset of his career, he played extensively in jazz bands as well as in the Calcutta Symphony Orchestra, absorbing the spontaneity of the former and the technical rigour of the latter. РІР‚СљIt took about six months to a year for me to get comfortable with the saxophone,' he said in that interview.

He came to the instrument because he wanted to play in CalcuttaРІР‚в„ўs nightclubs, he once told the e-paper Swar Aalap, which devotes itself to the music of the Hindi film industry. But he played beautifully.'Р”В«ut to listen to some of SinghРІР‚в„ўs best saxophone work is to realize that he had found his truest mР“В©tier. РІР‚СљHe had to bring his clarinet out, dust it and oil it-he hadnРІР‚в„ўt played it in a long time. РІР‚СљWe had a very good jazz pianist, and I told Manohari that he had to play clarinet for the piece,' Lord remembers.

#Saxophone music hindi movie

Burman movie Kaala Paani, and Lord remembers calling upon his clarinet for a stretch of the score to Ram Aur Shyam. Singh was nothing if not versatile Pyarelal calls him an РІР‚Сљall-rounder'. Even in 1967, well after he became famous for the distinct sound of his sax, Singh contributed a flute strain to the song РІР‚СљEk haseen shaam ko', from the film Dulhan Ek Raat Ki-a sweet snippet that seems to respond playfully to the plaintiveness in Mohammad RafiРІР‚в„ўs voice. I cannot wait to receive it.Like his father, who played for CalcuttaРІР‚в„ўs police bands during the British Raj, Singh started his career with the key flute, and he never deserted it entirely. I am sure, his debut album, Carnatic Saxophone Classics, which contains many of the songs Sumanth played at the wedding, deserves a place in every Carnatic fanРІР‚в„ўs collection. Many of my guests came to me after the ceremony and couldnРІР‚в„ўt stop singing SumanthРІР‚в„ўs praises. His raga essays, short though they were because of time constraints, were truly marvelous and tasteful, sending the appreciative audience into raptures.

His excellent repertoire permitted him to play the most appropriate song for each ritual, enhancing the beauty of the ritual beyond my wildest imagination. Gifted with a fertile imagination and a great sense of timing he wove his music skillfully and seamlessly into the wedding ceremony, giving the process a continuity that I have rarely seen in Indian wedding Music conducted in the United States. I was so impressed by his soulful music that I requested him to play at my daughterРІР‚в„ўs wedding in Connecticut. I first heard Sumanth Swaminathan at a concert in Los Angeles. He clearly played the right songs at the right time and coordinated with the Purohit are as though they had practiced this before. It was clearly one of the highlights РІР‚вЂњ all of us - the guests and we the hosts truly enjoyed the scintillating performance. Sumanth and his accompaniment performed at our daughterРІР‚в„ўs wedding last December. You made the wedding a memorable musical event as well. Vijay also gave you excellent percussion support. The songs were well chosen and their execution was superb. Many complimented us for choosing your melodious saxophone music instead of traditional Nadhaswaram. Several of the guests were so impressed by your performance that they lined up to buy your CD as well. Listener ReviewsР”В¬ongratulations to you for your fabulous performance in our daughterРІР‚в„ўs wedding in Chicago recently.

Contact via email for scheduling and quotes. Sumanth performs in both traditional ceremonies and wedding receptions with a variety of instrumental accompaniment options. His sound, improvisation, and song selection have consistently been regarded as the highlight of wedding ceremonies across the United States and abroad. Swaminathan is known as the first Carnatic saxophonist to perform Hindu wedding Music ceremonies in the style of traditional nadhaswaram accompaniment.